Gulliver in the Land of the Giants

The little cover was printed in color. Here you can see the surviving copy—with its years of wear—and the artwork on our new English edition.

Get this tale in paperback or Kindle →

The paperback’s The Original page reproduces the surviving cover in black and white. These color scans let you look more closely. Tap any image to enlarge it.

About these comparisons. The revised English front shown here is the cover artwork of the current English edition. Repairs and color choices are interpretations of the surviving print. Spanish artwork is shown for comparison; it does not imply a separately published Spanish edition.

Front cover — then and now

Gulliver in the Land of the Giants: front cover, surviving spanish cover — **Surviving Spanish cover**Color scan · wear and damage retained

Gulliver in the Land of the Giants: front cover, revised spanish artwork — **Revised Spanish artwork**Restoration / reconstruction

Gulliver in the Land of the Giants: front cover, revised english artwork — **Revised English artwork**Adapted lettering · new edition

Back cover — then and now

Gulliver in the Land of the Giants: back cover, surviving spanish cover — **Surviving Spanish cover**Color scan · wear and damage retained

Gulliver in the Land of the Giants: back cover, revised spanish artwork — **Revised Spanish artwork**Restoration / reconstruction

Gulliver in the Land of the Giants: back cover, revised english artwork — **Revised English artwork**Adapted lettering · new edition

What we have kept, and what we have renewed

This volume has a mixed restoration history, including earlier reconstruction and masked repair. The revised back returns to the surviving picture with local repairs; the English words have been newly set.

Our aim is to bring the old pictures back into the light while keeping their character. Repairs and color adjustments are interpretations, not a recovery of the exact colors when first printed. AI tools were used for some repairs and reconstructions; those areas may differ from the surviving artwork.

The back-cover cartoon bears the signature associated with Ramón Cilla. That credit belongs to the cartoon; it does not establish who drew the front cover or all the pictures inside.

The surviving scans remain distinct from the revised pictures. These are cover comparisons, not a complete facsimile of every page.